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The culture of History of the World was extremely collaborative. Of course, I jumped at the chance!Ĭoming from The Upshaws, where it was generally just me in the edit bay combined with the multi-camera editorial style, was an adjustment as History was quite the opposite. Just as we were wrapping up our season, Wanda asked if I’d be interested in cutting the Mel Brooks sketch comedy series. My experience editing The Upshaws led me to my next show, History of the World, Part II. History of the World Part 2 | Trailer | Hulu youtu.be I enjoyed the challenge of landing the jokes with the proper takes and reactions while artfully weaving in the laughter. The editorial style of The Upshaws is a hybrid of the two: we have the element of the studio audience, however, our showrunners prefer that the edits are on the tighter side, which is a different take on this format. Single Camera comedy, however, is usually edited in a much tighter manner, with jokes layered on top of each other. Multi-camera sitcoms are shot on a soundstage with a studio audience and because they have a laugh track, the editorial style is much like stand-up comedy in the sense that the show is cut fat with room for the laughter to play out and time for the characters to take the laughter in. The Upshaws: Part 3 | Official Trailer | Netflix youtu.beĬoming from a background of editing stand-up comedy made my transition to cutting The Upshaws a fluid one.

This came with a lot of pressure and growth but also led to my first three Primetime Emmy nominations in 2023: two for The Upshaws and one for History of the World Part II. It was my first multi-camera sitcom and I was the only editor on the second season of a hit show (except Episode 5, where I share a credit with the talented Russell Griffin). This was a pivotal moment in my career for multiple reasons.

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